Week 7
Conceptualising the Audience
Conceptualising the Audience
Audiences are the target of all media which is produced and
distributed so it is useful to conceptualise audiences and how they use these
products.
Concerns about audience studies have been made with a much
wider debate over whether we are ‘active’ or ‘passive’ audiences for the mass
media. For Adorno, passivity makes the act of his listening full of danger.
Adorno, a Marxist theorist believes that ‘ the most familiar is the most
successful and is therefore played again and again and made still more
familiar’ (1991:32-6). This is seen to lull us into a state of tranquillity as
we transform into passive listeners. What is more lulls our critical faculties
and therefore induces a harmonious view of the world allowing the forces of
capitalism to flourish.
The concept of the passive audience is still lively and
pertinent. However it has faced with tree main criticisms in terms of its
relationship with radio.
First of all it can relate with a particular historical
moment of industrialization and urbanization. Secondly, in a pluralistic media
landscape it cannot be applied and thirdly it underestimates the freedom of
listeners to make of the ‘messages’ what they like or even ignore them.
Generally audiences influenced by the media products. According to Hendy’s reading, decipts an
audience as lacking imagination and are ‘confined by the limits set by the
imaginative and ideological world’. (Crisell 1994:208; Murdock 1981:156). This
make the audience look that are stupid enough to realise they are being enticed
into buying a product that maybe they don’t really want or need.
When it comes radio it is obvious that there is a power for
the audience. As listeners, we are the co-producers of radio and everyone is
listening in different ways. But at the same time you notice that it
infiltrating our minds generating associations and feelings of intimacy and
companiability that we almost underestimate the reliance we place upon it and
all this because we take radio so much for granted. We come to the point that
the audience is neither a fully ‘active’ nor a fully ‘passive’ for the medium.
References:
·
Hendy, D, (2000). 'Audiences'. In: (ed), Radio
in the Global Age. 1st ed. UK: Polity Press. pp.(134-147).
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